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00:02:07 127.8 |
MID SHOT OF YOUNG COUPLE SIPPING ON A STRAW OF SOME SORT OF PARTY DRINK. HUGE GLASS. MAN IN BOW TIE AND CHEF HAT STAND BEHIND THEM.
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00:02:08 128.8 |
HORSE DRAWN CARRIAGE. BLACK MAN WITH REIGNS.
WHIP AT THE STANDBY. WEARS TOP HAT. STEERS HORSE THROUGH CITY STREET AT NIGHT. WHITE COUPLE IN CARRIAGE. |
00:02:14 134.8 |
BOURBON STREET. FAMOUS DOOR. HOME OF DIXIELAND MUSIC. "VISITORS WELCOME."
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00:02:19 139.8 |
WOMAN WITH BARE SHOULDERS ACCOMPANIED BY TWO GENTLEMEN STAND INSIDE CLUB.
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00:02:22 142.8 |
BLONDE WOMAN IN CLUB SMILES.
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00:02:28 148.8 |
SIDEWALK. YOUNG MAN AND WOMAN WALK. HE HOLDS A POODLE IN HIS ARMS.
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00:02:33 153.8 |
WOODEN SIGN "DIXIELAND HALL. 522 RUE BOURBON."
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00:02:37 157.8 |
INT. RECORD STORE. MANY NEW ORLEANS-RELATED LPS ON RACKS COVERING WALL. INCLUDING AL HIRT RECORD.
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00:02:41 161.8 |
CAMERA PANS TO SHOW FOLKS SEATED IN FOLDING CHAIRS.
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00:02:45 165.8 |
SIGN: "DIXIELAND HALL PRESENTS PAUL BARBARIN, KING OF DRUMS AND COMPOSER OF 'BOURBON ST. PARADE'."
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00:02:47 167.8 |
(dixieland jazz group)
When The Saints Go Marching In
DIXIELAND GROUP WALKS THROUGH AUDIENCE AT HALL. TROMBONE, TRUMPET, CLARINET, BLACK MAN WITH DERBY HAT, UPRIGHT BASSIST AND ANOTHER BLACK MAN WITH DERBY WITH BRIM PULLED DOWN IN COMIC FASHION.
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00:03:15 195.8 |
BLACK MAN IN WHITE SHIRT AND BLACK HORN RIMMED GLASSES POSES IN RECORD SHOP HOLDING LP.
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00:03:20 200.8 |
CAMERA PANS TO COVER: "PAUL BARBARIN'S BOURBON STREET BEAT." PERHAPS THIS MAN IS BARBARIN.
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00:03:23 203.8 |
CUT BACK TO PROMENADING DIXIE BAND RE-ENTERING ROOM. CROWD IS MIDDLE-AGED AND WHITE. MOSTLY.
TOURISTS. |
00:03:48 228.8 |
Sweet Emma Barrett
Ain't Gonna Give Nobody None Of My Jellyrool
(POSSIBLY AT PRESERVATION HALL) . LEGENDARY NEW ORLEANS JAZZ ENTERTAINER. LINK TO THE RED LIGHT STORYVILLE PARTY TOWN O EARLIER ERA.
**(FOR CLEAN VERSION WITHOUT NARRATION SEE SH-3A)** |
00:06:01 361.8 |
ADVERTISEMENT POSTER. BLONDE WOMAN IN SHOWGIRL WITH MARACAS. MONTAGE OF NAUGHTY SHOWGIRLS.
CLEAVAGE. ANIMAL PRINTS. SEX SHOPS (NOT HARDCORE). |
00:06:06 366.8 |
MONTAGE OF CLOWN PAINTINGS. FOR SALE. GYPSY LOU'S STUDIO 702. PAN DOWN TO WOMAN ON SIDEWALK.
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00:06:26 386.8 |
CU WOMAN WITH BIG EYES SITTING ON CHAIR STROKING DOG. ("GYPSY LOU"?)
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00:06:41 401.8 |
FOUNTAIN. ACCORDIAN. VIOLIN. OUTDOOR COURTYARD GARDEN CAFE. IS THIS CAFE DU MONDE?
GASLIGHT. |
00:06:48 408.8 |
SHOE SHINE. YOUNG WHITE MEN RECEIVE SHINE FROM VETERAN BOOT BLACK.
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00:07:05 425.8 |
INTERIOR. FEMALE ENTERTAINER IN WHITE DRESS. SHE WEARS (A WIG) BANGS, STRAIGHT HAIR. BOISTEROUS.
SHE GRABS MICROPHONE. SHE HAS SPANGLES AND RHINE- STONE PATTERNS OVER THE BREASTS OF HER WHITE DRESS. COMBO ON BANDSTAND. |
00:07:29 449.8 |
SAXOPHONIST IN CHECKERED DINNER JACKET OR BLAZER.
CLASSIC NEW ORLEANS R&B / RHYTHM & BLUES MUSIC- IAN. |
00:07:47 467.8 |
CU OF WOMAN IN BLONDE WIG.
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00:08:01 481.8 |
YOUNG WHITE COUPLE DANCES IN CLUB.
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00:08:14 494.8 |
SHOT OF PRESERVATION HALL POSTER.
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00:08:18 498.8 |
SANDRA JAFFE (CO-OWNER) SITS IN CARRIAGEWAY OF PRESERVATION HALL HOLDING ADMISSION MONEY BASKET
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00:08:24 504.8 |
WICKER BASKET FULL OF DOLLAR BILLS. THIS IS THE ADMISSION FEE.
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00:09:16 556.8 |
PRESERVATION HALL MUSICIANS. POSSIBLY GEORGE LEWIS, CLARINETIST.
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00:09:33 573.8 |
CLOSE UP OF MAN'S HAND PLAYING CLARINET.
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00:10:23 623.8 |
EXTERIOR DAYTIME. POSSIBLY FRENCH QUARTER OF NEW ORLEANS. WORKING CLASS. OLD STYLE ARCHITECTURE.
CLASSIC ORLEANS RESIDENCES. |
00:10:53 653.8 |
CU OF ELDERLY BLACK MAN IN CAP. ON STOOP.
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00:11:02 662.8 |
MONTAGE OF DAILY LIFE SCENES: CHILDREN, FOLKS HANGING OUT. NEIGHBORHOOD.
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00:11:08 668.8 |
MAN IN CAPTAIN'S CAP AND WHITE SHIRT CROSSES STREET.
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00:11:14 674.8 |
DAYLIGHT. SHOT DOWN STREET. TALL BUILDINGS IN THE HAZE.
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00:11:19 679.8 |
ELDERLY WHITE MAN STANDS ON BALCONY. RAIL FENCE.
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00:11:22 682.8 |
YOUNG WHITE COUPLE WALK THEIR DOG ON SIDEWALK.
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00:11:34 694.8 |
IRON TRELLIS. POTTED PLANTS.
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00:11:40 700.8 |
TRELLACE. BALCONY. IVY. BRICK TWO-STORY BUILDINGS. STREET LAMPS. STREET LIGHTS. IRON HORSE POSTS ON STREET.
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00:12:18 738.8 |
HORSE DRAWN CARRIAGE ALONG SIDE A LATE 50S CHEVROLET. WOMAN IN CARRIAGE HOLDS A SUPER 8 MM FILM CAMERA.
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00:12:29 749.8 |
POV FROM CARRIAGE, LOOKING OUT AS HORSE PULLS DOWN THE STREET.
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00:12:35 755.8 |
TWO SMALL BLACK BOYS WALKING ALONG STREET.
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00:12:41 761.8 |
STOREFRONTS AND BALCONIES.
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00:13:02 782.8 |
STREET WITH TREE LINED DIVIDERS OR ISLANDS.
RESIDENTIAL AREA. |
00:13:27 807.8 |
CARRIAGE PULLS INTO BUSY AREA.
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00:13:37 817.8 |
MAN IN BLACK SUIT AND BOW TIE AND A CLOSED PARA-
SOL ANIMATES FOR CAMERA. |
00:13:43 823.8 |
WIDE SHOT OF CROWD WALKING DOWN STREET. NO CAR TRAFFIC. MARCHING. PARASOLS. MARCHING BAND.
STREET PARADE. MONTAGE OF MUSICIANS AND MARCHERS. EUREKA BRASS BAND BASS DRUM PASSES. ONLOOKERS. |
00:15:38 938.8 |
TALL, THIN MAN IN WHITE SHIRT WITH CIGARETTE MAKES SKETCHES IN A NOTEBOOK.
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00:15:42 942.8 |
VERY PARISIAN-LIKE SCENE. A MAN SITS AND SKETCHES A CHILD AS AN ELDERLY MAN OBSERVES. PAINTINGS AND SKETCHES HANG ON IRON FENCE. POSSIBLY JEFFERSON SQUARE. STREET ART.
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00:15:46 946.8 |
CU OF YOUNG FRECKLED FACE BOY.
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00:15:51 951.8 |
THE BOY AS SKETCHED BY ARTIST.
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00:15:56 956.8 |
STREET ARTIST SKETCHES YOUNG WOMAN. TINY SIGN "PORTRAIT 5.00"
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00:16:02 962.8 |
ELDERLY WOMAN IN CAP. SHE IS YET ANOTHER PORTRAIT PAINTER. A YOUNGER WOMAN SITS. CLOWN PAINTINGS AND CAT PAINTINGS SIT NEARBY.
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00:16:09 969.8 |
MONTAGE CU OF PAINTINGS.
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00:16:31 991.8 |
THREE YOUNG BLACK BOYS. THE "LEADER" LIGHTS UP CIGARETTE !
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00:16:34 994.8 |
YOUNG MAN IN WHITE T-SHIRT PLAYS ACOUSTIC GUITAR AND SINGS. NOTE: THIS FELLOW LOOKS VERY MUCH LIKE RICHARD FARINA, FOLK MUSIC LEGEND. A DARK YOUNG WOMAN LOOKS ON ADORINGLY (NO, SHE ISN'T MIMI.)
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00:17:36 1056.8 |
IN PARK, THE THREE YOUNG BOYS AGAIN. ONE KNEELS DOWN AND SHINES LANKY BOHEMIAN-TYPE SHOES. THE OTHER TWO DO HAMBONE ROUTINE. SHAVE AND A HAIRCUT RHYTHM, DATING BACK TO AFRICA. PIGEONS IN PARK. CU OF SHOE SHINING. ROCK ROOTS.
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00:18:11 1091.8 |
LITTLE GIRLS DANCE. BLACK GIRLS DANCE ON SHORE NEAR RIVER. BARE FEET. ELDERLY BLUES MAN PLAYS GUITAR AND SINGS A BLUES, SPIRITUAL TUNE. "THE SHIP THAT NEVER RETURNED" LYRIC AND TUNE DIRECT PREDECESSOR TO "THE MAN WHO NEVER RETURNED" aka "MTA"
(FOLK/POP HIT BY KINGSTON TRIO.) ROOTS OF FOLK. RIVERBOAT IN BACKROUND. SONG IS ALSO SIMILAR TO THE "WRECK OF THE OL' 97." SHOTS OF RIVERBOAT AND TOURISTS ABOARD BOAT. TAKING PHOTOS. COULD READ AS MISSISSIPPI RIVERBOAT. STEAMBOAT. |
00:19:47 1187.8 |
PROFESSORIAL BOHEMIAN TYPE SMOKES PIPE.
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00:19:53 1193.8 |
CU OF DARK BLACK MAN, PERHAPS PART OF BOAT CREW, WEARS A COAT CAP READING USS PRESIDENT.
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00:20:15 1215.8 |
BRIDGE. VARIOUS STEAMERS AND BOATS.
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00:20:25 1225.8 |
SKYLINE. NEW ORLEANS. BEAUTIFUL SHOTS. OLD CITY. PORT.
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00:20:34 1234.8 |
WIDE SHOT OF CANAL STREET. LAMP POSTS MARK THE CENTER DIVIDER. BUSY, BUSTLING TRAFFIC, MIDDAY.
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00:20:39 1239.8 |
PAN SHOT OF CANAL, MIDSHOT. LOEWS MOVIE HOUSE SIGN. PEDESTRIANS.
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00:20:44 1244.8 |
BLACK FOLKS OUTSIDE BUS "CITY PARK."
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00:20:49 1249.8 |
ANOTHER SHOT OF CANAL STREET. ALLENS SHOE STORE.
WOOLWORTHS. MONTAGE OF (MOSTLY BLACK) PEDESTRIANS. |
00:21:12 1272.8 |
WIDE SHOT OF CANAL. STREET CAR, TROLLEY APPROACH CAMERA. AUTO TRAFFIC ON EITHER SIDE. 7-UP SIGN ON RIGHT.
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00:21:15 1275.8 |
CU OF STREETCAR ("NAMED CANAL") PASSING.
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00:21:22 1282.8 |
BLACK TEEN IN SHORT PANTS SWINGS BASEBALL BAT.
KIDS PLAYING ON STREET. TINY WHITE WOODEN HOUSES IN BACKGROUND. CAMERA FOLLOWS BOY AS HE DASHES OFF TO "BASE." BEING PLAYED ON NARROW STREET, THE BOYS AND GIRLS HAVE ADAPTED THE GAME TO THEIR CONFINES. |
00:21:41 1301.8 |
BOYS AND GIRLS HOLD HANDS, RING AROUND THE ROSIE STYLE. OUTSIDE A CLAPBOARD HOUSE.
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00:21:56 1316.8 |
CU OF CRUCIFIX ORNAMENTATION. CHURCH HOUSE.
BRASS BAND PLAYS OUTSIDE CHURCH. |
00:22:16 1336.8 |
IN CHURCH COURTYARD MEN IN DARK SUITS AND GLOVES ASSEMBLE. HOLDING A BANNER READING, "YOUNG AND TRUE FRIENDS BENEVOLENT ASSOCIATION." SOCIAL CLUB.
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00:22:25 1345.8 |
YOUNG WORKING CLASS BLACK FOLKS STROLL DOWN SIDE-
WALK. |
00:22:27 1347.8 |
MID SHOT OF THE LEGS OF MARCHING MEN. DARK CLOTHING.
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00:22:49 1369.8 |
PARADE TURNS CORNER. BRIGHT AFTERNOON DAY.
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00:22:55 1375.8 |
CU OF MEN IN BRASS BAND. TUBA, TROMBONE. BASS DRUM, ETC. BRASS BAND IS FOLLOWED BY THE BENEVO-
LENT ASSOCIATION. |
00:23:31 1411.8 |
CHILDREN ARE LED IN A PLAYGROUND EXERCISE BY YOUNG BLACK FEMALE TEACHER. WIDE SHOT OF PLAY GROUND.
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00:24:05 1445.8 |
CUT BACK TO BRASS BAND. MUSIC SLOWS DOWN TO A DIRGE PACE. PART OF THE CLASSIC NEW ORLEANS FUNERAL RITUAL. THE BAND AND MARCHERS HAVE REACHED THE FUNERAL HOME / CHURCH.
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00:24:31 1471.8 |
GATHERERS GREET EACH OTHER. YOUNG CHILDREN DRESSED IN THEIR FINEST HANG TOGETHER.
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00:24:33 1473.8 |
A FLOWER STREWN WREATH IS CARRIED OUT OF CHURCH BUILDING. CASKET IS CARRIED OUT BY PALL BEARERS.
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00:25:07 1507.8 |
WHITE HAIRED GENTLEMAN CLOSES THE BACK OF THE BIG BLACK HEARSE. SLOWLY THE FUNERAL PROCESSION MAKE ITS WAY DOWN SUNNY STREET. BLACK HEARSES FOLLOW. CLOSE UP OF MOURNER ALMOST COMIC IN HIS RITUALISTIC PRECISION. ARM BAND.
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00:26:27 1587.8 |
YOUNG MEN AND WOMEN DO A COUNTRY SQUARE DANCE TYPE OF ROUTINE. JIG. FOLK DANCING. STRAW HATS. MEXICAN HAT DANCE.
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00:27:22 1642.8 |
CUT TO BURIAL SITE. PREACHER READS. HUGE TURNOUT. SHOT OF CASKET IN GROUND. SAD OLD FACES. TOSSING OF DIRT ON GRAVE.
|
00:28:01 1681.8 |
LEAVING GRAVE. "DIDN'T HE RAMBLE" TWO DITCH DIGGERS COMPLETE JOB OF BURYING. GRAVE DIGGERS.
FAMOUS GRAVEYARD, MAUSELEUM. VARIOUS SHOTS OF GRAVESTONES. CHURCH STEEPLE IN BACKGROUND. MONTAGE. |
00:29:11 1751.8 |
INTERIOR OF CHURCH. YOUNG BLACK GOSPEL SINGER AT PIANO, SINGING.CHOIR SITS NEARBY, CALL AND RESPONSE SINGING.
|
00:30:40 1840.8 |
"WORKING ON A BUILDING." GOSPEL SINGER IN ROBE WITH A FENDER STRATOCASTER. FOUR YOUNG BOYS SING WITH HIM. ALL WEAR ROBES.
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00:31:31 1891.8 |
WIDE SHOT INTERIOR OF OLD CHURCH. GRAND PIANO.
LARGE GROUP OF SINGERS. |
00:31:34 1894.8 |
CU HANDS PLAYING A HAMMOND B-3 ORGAN. CLASSIC LARGE GROUP. GRAND PIANO AND ORGAN. GREAT.
"I HEAR JESUS CALLING ME." |
00:32:11 1931.8 |
SMALL CHURCH. GOSPEL GROUP WITH HORNS. FUNKY AND WORKING CLASS. EARTHY. MONTAGE OF FAITH HEALING ANDMIRACLES. TESTIFYING.
|
00:33:16 1996.8 |
BUS IS PARKED ON SIDE OF THE ROAD. EMPTY.
"SIGHT SEEING" IS IN HEADING. |
00:33:23 2003.8 |
COCKTAIL BAR. LOUNGE. WHITE CLIENTELE.
SLIGHTLY SEEDY. LOW CEILING. STAGE. WHITE BAND PLAYS. UPRIGHT BASS AND BLACK TRUMPET. CIRCULAR BAR. POV FROM BAR SHOW REAR OF BAND PLAYING. |
00:33:41 2021.8 |
LOUNGE BAR. EMPTY CHAIRS SURROUND THE PIANO BAR BLACK PIANO PLAYER.
|
00:33:54 2034.8 |
LEGENDARY NEW ORLEANS PIANO PLAYER TOOTS WASHINGTON AT PIANO IN FRENCH QUARTER NIGHT CLUB
|
00:33:56 2036.8 |
EXT. SHOT. NIGHTIME. A SMALL AUTHENTIC DIXIELAND BAND PLAYS. NEW ORLEANS JAZZ. CU OF BANJO, TUBA, PLAYERS. PRESERVATION HALL.
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00:34:56 2096.8 |
MAN HAWKING OUTSIDE CLUB, TRYING TO ENTICE TOURISTS AND PASSERSBY. GREAT SHOT: MAN STANDS OUTSIDE AND THROUGH DOOR ONSTAGE IS A BIG BLONDE STRIPPER. DRUMMER.
|
00:35:31 2131.8 |
INTERIOR OF AUTHENTIC BLACK NIGHTCLUB. COUPLES SLOW DANCING. LIVE MUSIC.
|
00:35:51 2151.8 |
CU OF SINGER. CAMERA PULLS BACK TO REVEAL SINGER IS PLAYING A STEEL GUITAR. BLUES STEEL PLAYER.
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00:36:11 2171.8 |
HOPPING NIGHTCLUB. COUPLES DANCE. MEN PLAY POOL. GREAT, AUTHENTIC BLACK NIGHTCLUB SCENE.
BRIEF SHOTS OF BAND. ON WALL "TIDELANDS AUTOMOBILE CLUB, INC." |
00:36:50 2210.8 |
CUT TO YOUNG WHITE FOLKS DOING THE TWIST. UPSCALE.
LIVE R&B BAND. GREAT EARLY 60S SCENE. |
00:37:11 2231.8 |
SHOTS OF DANCING FEET AND LEGS. BLACK SAX MAN.
SPIRITED BUT SLIGHTLY SQUARE REVERLERS. TWIST CRAZE, TO A HIP SHUFFLING R&B BEAT. |
00:38:11 2291.8 |
BIG, GAUDY VEGAS-LIKE NEON SIGN OVER THE EL MORROCO.
PANS DOWN TO SHOW FOLKS PASSING. BRAZEN BLONDE WOMAN. |
00:38:22 2302.8 |
INT OF CLUB. PRESUMABLY THE EL MORROCO.
ON STAGE IS A WHITE SINGER PLAYING A GRETSCH FALCON. A KIND OF ROCKABILLY POP ARRANGEMENT OF "DON'T FENCE ME IN." |
00:38:51 2331.8 |
BLACK GOSPEL HARMONY GROUP WAIL A SPIRITUAL.
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00:39:12 2352.8 |
BLACK MAN WITH SUNGLASSES SINGS. BACK AT PRESERV-
ATION HALL. HE IS THE DRUMMER. |
00:40:06 2406.8 |
A WOMAN SINGS "I'M A FOOL TO CARE." OFF CAMERA.
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211 Third St, Greenport NY, 11944
[email protected]
631-477-9700
1-800-249-1940
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