This reel is part of one of our Specialty Collections. Online viewing or downloads of low-res versions for offline viewing will be available for only more day, though. Online viewing or downloads of low-res versions for offline viewing has now expired, though, and cannot be viewed online. "Pro" account holders can download a low-res version without audio for offline viewing.
Sign up for a "Pro" account to download this footage.
This reel is currently not available for online viewing.
Sorry, this video is temporarily unavailable for online viewing or download. Please try again later.
Restricted Material
Access to this reel with audio is restricted. It will be available for only more day.
Access to this reel with audio has expired.
00:01:41 101.91 |
Title Slate: The Eleventh Hour #182, Flo Kennedy, Length 26:46
Dir: Andrew Wilk 6/20/89 Countdown clock overlay |
00:01:51 111.54 |
Funding for the show by announcer and overlay the Eleventh Hour graphic
|
00:02:06 126.67 |
The Eleventh Hour graphic and show opener.
|
00:02:25 145.6 |
Host Robert Lipsyte welcomes viewers to the show. He introduces and talks about his guest on tonight's program, Flo Kennedy
|
00:03:02 182.07 |
Cut away to black and white snapshots of civil rights activist/lawyer, Flo Kennedy. Camera snapping in between each photo and each of her thoughts
|
00:03:09 189.59 |
Flo Kennedy wearing red hat and rain coat walking from street onto sidewalk assisted by a walker. A parked New York Yellow Taxi on street behind her.
|
00:03:21 201.72 |
Kennedy sitting in office wearing bright yellow hat, green scarf - she talks with unseen unknown interviewer "Talk Truth to Power" quote.
|
00:03:37 217.38 |
Cutaway to b&w photograph (overlay- a farm), of Florence Kennedy and her family as Lipsyte narrates talking about her history as photos flashing depicting her life and how she grew up.
|
00:03:46 226.43 |
Photo circa 1950's front entrance to Columbia University Low Memorial Library, students on steps, and the "Alma Mater" large bronze sculpture is seen.
|
00:03:51 231.29 |
B&W photo Kennedy overlay front steps leading to Columbia University where she graduated. Piece of paper with red circle around her name and B.S. from Columbia University overlay photo
|
00:04:06 246.54 |
Lipsyte narrates. Flo graduated with a Bachelors Degree from Columbia University but she was turned down admission to Columbia Law School.
Back with Flo in office she talks about how she felt she was turned down because she was Black rather then she because she was a woman |
00:04:18 258.15 |
Lipsyte continuing narration over var. b&w photos of Flo, states that through her aggressive persistence with a letter writing campaign, she finally gained admission and then graduated in 1951 as one of the first black women to graduate.
|
00:04:36 276.51 |
Back with Flo she talks about her aggressive"testicular" approach.
|
00:04:38 278.14 |
B&W silhouette photo of Kennedy at her desk on the phone.
Lipsyte explains Kennedy during her legal career was the executor of Billie Holiday and Charlie Parker estates. Album covers of Holiday and Parker overlay photo of Kennedy. |
00:04:47 287.77 |
Same photo of Kennedy with photo overlay of militant H. Rap Brown whom she represented.
|
00:04:50 290.95 |
Kennedy talking with a bunch of women encircling her - outdoors. she's wearing a cowboy style hat, colorful scarf, holding many papers.
|
00:04:53 293.21 |
African American woman holding large banner, partially obscured, N.J. Chapter Coalition Against Racism - MAMA MARCH
|
00:04:56 296.03 |
Hands drawing on pink poster board - partially illegible - "Racism & Sexism". Philadelphia.
|
00:05:04 304.92 |
Lipsyte narrates over scenes of Flo - out on the streets 1975, leading the "mama" (march against media arrogance), with other African American organizers, man hugging her.
Lipsyte narrates that Kennedy by the early '70s was a fixture in the civil rights, gay, and feminist movement. she founded the feminist party in 1971. |
00:05:15 315.22 |
B&W photo still Flo Kennedy with Gloria Steinem.
|
00:05:22 322.8 |
Flo talking from her office to unknown interviewer about Gloria Steinem and how Steinem taught her how to make more money!
|
00:05:32 332.05 |
Clip from the 1983 film documentary style feminist fiction film, Born in Flames, by Lizzie Borden. Scene is shown with Flo Kennedy.
|
00:05:56 356.2 |
Count down at the beginning of the taping of Kennedy's show. She can be seen in the studio surrounded by equipment, but sitting at a small round table wearing her signature red hat with a guest.
|
00:06:00 360.64 |
Title card for the long running "Flo Kennedy Show"
|
00:06:06 366.23 |
Clips of Flo Kennedy Show guests - William Kunstler, Yannick Noah.
|
00:06:13 373.24 |
Camera man/technician on the set of Kennedy's show. Small TV set in bkgd, and slate reads: Don Lynn Studios Super Videos Show #
|
00:06:20 380.04 |
Clip of Kennedy interviewing Dianne Abrams
|
00:06:28 388.89 |
Out on the street, Flo Kennedy at a demonstration march. interviewing protestors, being kissed by people.
|
00:07:08 428.69 |
Flo speaking with unknown interviewer in office.
|
00:07:09 428.99 |
Flo in elevator with her walker as door closes on her
|
00:07:16 436.83 |
The Eleventh Hour graphic.
|
00:07:20 440.25 |
Host Robert Lipsyte sitting with Flo Kennedy in the studio of Flo's cable television show.
|
00:07:27 447.55 |
INTERVIEW
Robert Lipsyte 7:19 We're now in the studio Flo Kennedy's cable television show. Flo 11 years in an elevator in Kansas City. What were you thinking about? Flo Kennedy 7:30 Well, I was an aristocrat, because I wasn't scrubbing floors in the hotel. I mean, we used to get wonderful Christmas presents. At Christmas, the whole area behind my stool would be off. I thought I was a super aristocrat. I didn't know any better. We were in downtown Kansas City across from Emery right there and Hartsfield was down the street. My uncle was a superintendent of the building. How did I know I was almost a little like a little pickaninny or something. Robert Lipsyte 7:57 What were you thinking about? I mean, Flo Kennedy 7:58 I thought I was in heaven. Robert Lipsyte 8:00 In terms of talking to people thinking Flo Kennedy 8:03 They loved is, I love them. I had no idea where I was really, really, because you see so many things are relevant. That you know, I was there in petticoat lane. Most black people were up in wherever black people are in the city. And my dad would come and pick us up every night. And I ran this elevator no water, nothing. It was wonderful. No white. No Darling, you bout to get in trouble besides the white glove stuff. Robert Lipsyte 8:32 And this is through your 20s Flo Kennedy 8:36 I don't know it was through my 20s. At 73 years old you forget which were your 20s and which were your teens? I don't remember. And I suppose there must be a date somewhere. But I was really I'm so see one thing about it is that happiness is so subjective. I thought I was happy. I did not know I was pitiful. But you know You're Pitiful when you really are pitiful. But as an elevator person in the black community, kids out of school, I don't even know what they were doing. I used to work for $3 a year and take care of two dogs, a Pomeranian and a Pekingese, So that was way from there Robert Lipsyte 9:11 But the jump the jump from running an elevator to Columbia Law School. It seems like a big one. Flo Kennedy 9:17 Yeah. Well, what happened was we came to New York, you see. And then of course, I went to school. And I was always smart enough to get the best place with the least effort. So when I went decided to go to school, I went to Colombia because I knew it would be difficult to go to college. So I figured why go to city. If you could go to Colombia? Robert Lipsyte 9:38 This is Colombia general studies as Yeah, that's right. And it took Flo Kennedy 9:41 That's right. The bottom of the barrel for Colombia, but the top of the heap for me. Robert Lipsyte 9:45 It took 11 years because it was the depression. Flo Kennedy 9:47 Yeah, yeah, we had the depression pretty bad. My dad was a cab driver. And my mom was sort of a domestic you know, she was running the elevator by then. We're good in school. Yeah, I was the equivalent of Phi Beta Kappa in school. I was pretty smart. Although I was always bad in arithmetic, terrible math, Robert Lipsyte 10:04 it was hard to get into Columbia Law. Flo Kennedy 10:06 Yeah, I had to have a slight confrontation with them. I threatened Well, they were having lawsuits at Texas, places like that. And I told him that, although they said it wasn't racism, but it was because I was a woman that it felt the same. And that some of my friends thought it was racism and sexism. Those days. I don't know if you use that exact term, but what you were saying, well, I went to Columbia, I got out of high school in 1932, when most people aren't even born, and and this was great, not too long after that. And I told him, I thought I might have to bring a lawsuit. I guess they thought they'd rather have a black person in the school than to have a lawsuit on the front page. |
00:10:46 646.56 |
INTERVIEW CONTINUES
Robert Lipsyte 10:46 Wait a minute, you got you got my dates all messed up who got out of high school in 1932? Yeah, but there's 11 years in the elevator, right? That brings us to 1940. Started Flo Kennedy 10:55 Columbia in 40. Something I'm very bad on dates very bad. I got out of law school in 1952. Robert Lipsyte 11:02 What did you do? Well, in law school, Flo Kennedy 11:04 bottom of the barrel, bottom of the heap barely made, it just got out. But I was at the top of the heap coming out of Columbia, undergrad, Robert Lipsyte 11:13 now a political philosophy, where does that develop that develop at home, does it develop an elevator, Flo Kennedy 11:21 this is an all of us are different. So I would say we were different. My attitude is always kick, the part of the anatomy, that's the most sensitive. And if you do that, you're liable to be in a lot of trouble. But you're also liable to intimidate people, because most racists and most people that are oppressive are not prepared to die, you see, and they're not even prepared to have much trouble. And if you remember that there's always someone over the person that's over you, then you're not as scared. So my attitude is always put the person that's just above you in such Jeopardy from the people above them, that they won't do the worst they can to you. Because if you make it clear that if they do anything to you, you'll make a big fuss. They usually don't want a big fuss, you need to cooperate, so you have to consent to oppression. You don't just get oppression, you consent to it. In fact, I have a button that my Oregon backpack people make called BOHICA, and it means bend over here it comes again, you see, and if you don't bend over, then a lot of your troubles would be over. And also we lived in a white trash neighborhood in Kansas City, Missouri. And when the white trash kids would start calling us nigger and everything, we would turn on them and they would run. And what I discovered was that usually the oppressor is very nervous. And if it looks like you're going to turn on her him, then you get a fair amount of respect. And you just carry those old things that you knew when you were a little kid, see, and my father was very bellicose as a thin black man. And when the Ku Klux Klan came to our doorstep, he said the first he said, Excuse me, he was very polite. He went in, they got his gun, and he came out and he said, the first foot that hits the step belongs to the man I kill, or I shoot he, I think he said, I may be quoting him otherwise, because you know, that was 70 years ago. And so we've had that we always had examples within our family of recklessness of a certain size sort mixed with politeness. So we were polite, but we were reckless. And we really felt that we were ready to kill. In other words, we ready to attack the attacker, and most attackers are not prepared to be attacked. So it works really well. You'd be shocked. Robert Lipsyte 13:28 It's a pretty powerful weapon to grow up with to have to have that kind of knowledge. You've been trying to teach other people that haven't you? Flo Kennedy 13:36 a little bit Yeah, because see, in first place, it's fun. It's more fun than getting drunk falling down stairs, it's more fun than just about it. It's more fun than having money. I know millionaires are so worried about their money, that they don't have as much fun as I do. You have to be reckless. And recklessness is very, very much fun. And you don't need a crowd. See, most people think you need a large crowd to turn on your oppressor. But you don't because they're such cowards, and they're so nervous. And the reason they're mad at you is because someone above them has scared them or made them upset. And so if you just assume that they know better than you are, and that they're just as afraid for their anatomy as you are, you're probably right, because if you press the sensitive part of an anatomy and anatomy, whether it's an institution or a person, I mean, the president of campus can lose his job or the college can lose his job or her job. And you have to bear in mind how cowardly and nervous everybody is. Not because the society is oppressive, although that helps. And you just understand that you probably have more to lose than they have. And if you're ready to lose it, then everything is cool. |
00:14:42 882.19 |
INTERVIEW CONTINUES
Robert Lipsyte 14:42 Obviously most people don't believe this lesson. Because we're taught to be scared. I mean, the groups that you've I mean that the large groups you've worked with, you know, feminists, gay rights activists, civil rights activist, if they all knew that, I think we would have seen other things happening in our histor. Flo Kennedy 15:00 But you see, most people in groups are angry. And I'm rarely angry because I always think that I have the wherewithal to make anybody that attempts to oppress me feel worse than I do. See. And as long as that's the case, as long as you understand that part of the system, then you see when you see people angry is because they're frustrated and scared. See, and I have rarely been scared because our mother was very polite, very nice. But she always defended the right people. And she always taught us my sister once came home and said, someone had smacked her. And she made it go back out and find the person and hit him back. You see, so we were taught to be respectful. We thanked each other people thought we were crazy. Gay would give me something my sister and I'd say, Oh, thank you and Lynn would give me sighs Oh, thank you. And they said, you don't thank people in your own family. They laughed. But you see the ideas. I'm in a good mood. I try to be as ruthless as I think I need to be but I'm in a good mood. I'm not angry most of the time. So I don't really feel I have to I'll show off but I'm not angry Robert Lipsyte 15:59 This approach. When is it best worked for you? What What would you consider a really a signal success? Flo Kennedy 16:04 Well, everything is a signal of success. Feminism, the discovery that I was right about everybody being scared. See, people are scared if they're taller and bigger and heavier males rapists, everybody has a part of the anatomy that is very vulnerable. And as long as you're prepared to go for that, just like my dad went in says excuse me, but he got his gun. And when he came back out, we had this little funny frame house, it had about four inches of ground in the front and a little bitty funny yard, but as big as from here to there. And so it was a funny little place. But once you know that you are prepared to do more to the person that's chasing you than the person that's chasing us for it to sustain. Then you understand that that's it, honey, Robert Lipsyte 16:49 now your daddy had a gun, you've got a tongue. Yeah, you've used your mouth is that kind of Flo Kennedy 16:55 I know. Because you see, by being unafraid and not angry. See, I just think you just don't respect people. You don't respect your repressor. Your oppressor is not to be respected. That's the first thing you need to learn. And you learn that when you're a little kid, see, most people's parents, my mom never hit us. Her theory was that if I lose my purse, nobody hits me. I'm bigger than they are, and I don't hit them. Now, my mother had a philosophy. She didn't tell us that we were much older. I used to be terrified when I was late coming home from school, but she really liked us. Number one, you got to have parents and like us. They also like being parents, that was another helpful thing. So but I had no respect for the enemy whatsoever. Once some woman that might be me being at this point. Well, when my mother was accused of stealing when she was a domestic, she stripped all the way down. And I won't tell you what she didn't take off. But she took off everything. And and so that they were examples of courage, not so much in the way they treated us, but in the way they treated anybody that started off with them. My sister was on a streetcar, as we call the trolley cars in Kansas City, Missouri. And a white person started to get up when she started to sit down. She said, sit back, sit back down there you S of a B, and then sat down in the chair. And nobody knows if the guy was really good. But in Kansas City was a part of the insulted if a black person sat down, he got up if you were white. Now you see, she didn't know if the guy really was getting off. It might have been in stop, but she made him sit back down. So those were the types of things that we laughed about in our family. And we just had that as a part of our philosophy from Robert Lipsyte 18:35 we've been passing this song for years in the 70s Flo Kennedy 18:38 Not thise stuff. I never talked about any of this. Robert Lipsyte 18:39 Well, I mean, this attitude. Flo Kennedy 18:40 But you ask very good questions Bob |
00:18:42 1122.72 |
INTERVIEW CONTINUES
Robert Lipsyte 18:42 This attitude. I mean, when you when you toured college campuses in the 70s with with Gloria Steinem, you must have reached out and touched a lot of young women probably young men, too. Do you have any sense of things happening? Flo Kennedy 18:55 Oh, sure. Oh, yes, honey struggle pays off every single time. It paid. But you see, we're so impatient because we live in dreams. oppressed, people live in dreams. They don't dream about a Ford car. They dream about a BMW or a Mercedes or something. And in my case, I understand progress. You don't win. See, that's Jockokradic thinking it's like a jockocrasy It's like the game's between two teams, you win, you lose. But what you must understand that powerful people only progress they don't necessarily win, but they just keep on moving ahead. And if you understand if what you're trying to do is make progress not so much to win anything. There's really nothing that oppressed people can win. So you really just want to keep on moving on. Robert Lipsyte 19:42 How can you measure keeping up and moving on, Flo Kennedy 19:44 you just measure and thinking the struggle fits the progress. In other words, you didn't kill anybody. So you know, you're not gonna get far in oppressive society. see a lot of people I think. I think the dumbest thing... Robert Lipsyte 19:54 Would you rewind that, Flo. You didn't kill anybody. So you know you've got.. Flo Kennedy 19:57 If you don't spill blood in an oppressive society, With oppressive police and oppressive federal people at all then you know you're not killing anybody. Robert Lipsyte 20:05 Are we living in an oppressive society right now? Flo Kennedy 20:06 Sure, of course. Robert Lipsyte 20:08 What do you mean by spilling blood? Flo Kennedy 20:09 Well, I mean the disease penny gonorrhea is spread and it's usually accompanied by the spilling of blood. So you know that if you don't have weapons and of war, then you're not really doing anything very big. So if you come back at a teacher, my dad took the gun down to the principal to tell him not ever to touch us as long as he lived. Robert Lipsyte 20:30 The principal? Flo Kennedy 20:31 The principal of my school most parents the kids would say well if I get licking at school I go home and I get another one ours least I get chastised. Most areas of the society authoritarian areas are supporting each other everybody supporting the church I have a different attitude I say if you see a man in a skirt run like a turkey because he's either a judge or a priest or a preacher. So in other words, if you believe what an oppressive society tells you, then you're probably going to have a lot of trouble but you see my theory is if the oppressive society tells you it's good for you it's probably intended to make you knuckle under to authority see and my theory is that authority is not fit to knuckle under to our things wouldn't be so terrible so I mean if they can't even keep the dust out of your water and the and the and the different PCBs or whatever it is out of stuff it's not supposed to be in they can't keep the the germs out of the cranberry sauce I mean who are the what what right are they have they to be respected? Robert Lipsyte 21:36 What should we be doing now? What are you telling young people now to do? Flo Kennedy 21:40 Well I just think don't accept oppression for one thing I think that violence is a necessary tool not to be used it's like the bathroom you don't use it unless you really have to go Robert Lipsyte 21:50 What do you mean by violent? |
00:21:51 1312.01 |
INTERVIEW CONTINUES
Flo Kennedy 21:51 I mean violence I mean, what you mean by violence I mean killing people or whatever you need to do but I say don't do unless you want to spend your life in prison and I don't want my friends to spend my life but I think to go around. I mean my theory is that anytime someone uses violence against you, then violence is in and to say we are non violent to me is very dumb. I mean even parents hit the kids you know, I mean there's no reason why people have to hit kids if they want to say that violence is bad because if you hit your kid little kid you hit him slap him and beat him up. Tell your father's gonna take care of you and that means he's gonna hit you Robert Lipsyte 22:32 There's a kind of little tag of blaming the victim in the sense of it's your fault if you're oppressed because you allowed yourself to be oppressed Flo Kennedy 22:43 Oh no, if I say the victim has the right to be violent I'm certainly not blaming them I'm arming them but I know they won't be and I tell them don't be violent in a in a violent society unless you ready to go to jail. I mean, and prostitutes for example are in town these days and they know the police are the ones take more advantage of them very often than the strangers people always say oh Aren't you afraid this stranger has gotten the john is going to do this or that and normally they have more hassle from the police. And and part of it is rape. Another part of it is violence of the normal sort. When I say violence, I mean anything you're capable of doing that you're prepared to die for Robert Lipsyte 23:22 two groups that you're all gonna that you're involved with VACPAC, and the ladies aid and trade crusade. Flo Kennedy 23:31 I like little rhymes, because I remember once I was arrested in California, and I think the reason they didn't take me more seriously, because I have all these little rhymes and little songs and things. But I think for example, oppressed people are kind of retarded in their political and economic attitudes. Robert Lipsyte 23:48 I hear ladies aid and trade crusade as kind of so what is that? Flo Kennedy 23:53 Well in that case I was mainly pushing cable television as a form of response you know, we want to be NBC when you're dreaming your dream the top of the heap but I think for example, I'm in cable TV for about 15 years now and I think that if we made proper use of it we could be far more revolutionary than we are. In other words I feel that first place I think the cable industry has kind of betrayed us and I think for example there are no studios for cable television there's no money for for producers and I think we've made enough millions for the cable people that the franchises in major cities should be revolked. Robert Lipsyte 24:30 You gave up your law practice some years ago Flo Kennedy 24:33 well when I discovered I could make 600 or $750 and make a one hour speech now I make $3300 which is nothing because people like Oliver whatever his name is that North North Yeah, I was gonna call him Norris. People like that make $35,000 then I'm very cheap, but by me, it's like the elevator. I'm so thrilled to make $3500 for one hour speech that I think I'm in and I don't like to say nigger heaven because a white person said that I'd probably have to punch him in the mouth and knock out their implants. But I just think that we need to reject any limitations. And I think cable TV gives us a lot of latitude. And I think we don't use it fully on the campuses. They don't even want to hear but they don't understand. Robert Lipsyte 25:18 Well, you do your cable show now you make your speeches and VACPAC? Flo Kennedy 25:22 Well, it's it's such a long name, take the end of the show. Its voters, artists, anti nuclear activists, and consumers. That's just VAC. |
00:25:31 1531.54 |
INTERVIEW CONTINUES
Robert Lipsyte 25:31 That sounds like a lot of people Flo Kennedy 25:32 For political action and communications coalition. So I mean, you know, it's totally crazy. It's like ladies aid and trades this crusade. But I think I want to have fun along with whatever else I'm doing, and I'm really have fun. Robert Lipsyte 25:45 But what do you want to do? Flo Kennedy 25:46 I want to power? I want to have a lot of power or some power. Robert Lipsyte 25:49 What does power mean? Flo Kennedy 25:50 I think power means that economically, you don't spend millions and billions of dollars and get nothing. We spend millions and billions on films we line up at the box office. And there's but no practically no major movie executives among black people there Spike Lee. And there's the other chap who's named, Robert Townsend. And they are entrepreneurs in the sense that they just started from the ground up. But when you come to Hollywood executives, with as much money as black people put in at the box office, I would like to see a box office boycott. I like to use the dollar power to get what we want. I think we have dollar power, voting power and body power. And we use body power when we marched around. But dollar power we rarely use. We don't boycott General Foods and Procter and Gamble and Metro Goldwyn Mayer, we criticize them. And that's coming quite a distance. But we don't we don't boycott them. We could boycott the sponsors of all the networks if we really wanted to be serious, and it's non violent to but we're really afraid. Robert Lipsyte 26:55 If you knew then what you knew what you know, now, would you do anything different or did you play right Flo Kennedy 27:02 Oh I'd do a million things different course. Of course I would. But I think I'm pretty smart. I'm very lazy. I'm very greedy. And I'm very hammy. So if you're hammy lazy and greedy determined to have fun and make enough money to live. I think you do pretty well and I think I do all of that pretty well and I kiss my wrist. A lot of the time and I'm on my deathbed to come here. How many people get off the deathbed to go make a TV program. I mean, you got to have a certain amount of strength to do that. You know, I put this in a fun category because there's no money of course, but Robert Lipsyte 27:29 I'm really glad that you got here Flo Kennedy 27:31 I am too little baby. Robert Lipsyte 27:33 Flo Kennedy, thank you, Flo Kennedy 27:34 Thank you Bobby. Robert Lipsyte 27:35 This is the 11th hour. I'm Robert Lipsyte. |
00:27:34 1654.86 |
Lipsyte thanks Kennedy. Interview concludes, Lipsyte announces the show and introduces himself.
|
00:27:45 1665.02 |
Show credits over Eleventh Hour graphics.
|
00:28:29 1709.7 |
Funding for program by announcer and overlay the eleventh hour graphic.
|
00:28:47 1727.43 |
reel end.
|
211 Third St, Greenport NY, 11944
[email protected]
631-477-9700
1-800-249-1940
Do you need help finding something that you need? Our team of professional librarians are on hand to assist in your search:
Be the first to finds out about new collections, buried treasures and place our footage is being used.
SubscribeShare this by emailing a copy of it to someone else. (They won’t need an account on the site to view it.)
Note! If you are looking to share this with an Historic Films researcher, click here instead.
Oops! Please note the following issues:
You need to sign in or create an account before you can contact a researcher.
Invoice # | Date | Status |
---|---|---|
|