1970-2003JAZZ MUSIC
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| 01:00:00 0 |
CARLOS SANTANA JAMMING PLAYS LICK ON GUITAR. TALKS ABOUT MILES DAVIS
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| 01:00:32 33 |
MUSIC JAZZ CRITIC STANLEY CROUCH TALKS TO CAMERA ABOUT MILES DAVIS'S FALL FROM GRACE TO PLAYING FOR MONEY AT THE END OF HIS LIFE
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| 01:00:59 60 |
TITLE SEQUENCE DO NOT SEND AERIAL OF ISLE OF WIGHT TITLE SEQUENCE WITH SUPERIMPOSED MILES DAVIS PLAYING
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| 01:01:48 109 |
MILES DAVIS AT MUSIC FESTIVAL. VIEWS OF HUGE HIPPIE CONCERT AUDIENCE FROM ABOVE. FREEZES ON STILL OF MILES
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| 01:02:17 137 |
MILES DAVIS SPEAKS TO CAMERA ABOUT PLAYING MANY DECADES AGO, HE DOESN'T GO BACK AND LISTEN TO HIMSELF
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| 01:02:30 150 |
CLIP FROM THE STEVE ALLEN SHOW 1964. STEVE INTRODUCES THE MILES DAVIS QUINTET. MILES DAVIS QUINTET PLAYS "SO WHAT" FROM "KIND OF BLUE"
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| 01:03:02 182 |
MILES DAVIS SPEAKS TO CAMERA INTERSPERSED WITH CLIP FROM STEVE ALLEN SHOW ABOUT HOW HE HEARS HIMSELF
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| 01:04:07 247 |
B& W CLIP OF HERBIE HANCOCK IN 1964
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| 01:04:15 255 |
HERBIE HANCOCK IN 2003 PLAYS. HERBIE HANCOCK SPEAKS TO CAMERA ABOUT WHEN HE FIRST CAME TO PLAY WITH MILES AND WAS TOLD TO PLAY THE ELECTRIC PIANO. HERBIE HANCOCK PLAYS WHILE HIS VOICEOVER DESCRIBES THE EVENT
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| 01:05:24 324 |
CHICK COREA IN 2003 PLAYS ELECTRIC PIANO. CHICK TALKS ABOUT PLAYING PIANO AND THEN HAVING MILES SWITCH HIM OVER TO THE ELECTRIC PIANO. STRANGE EFFECTS WITH ELECTRIC PIANO
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| 01:06:02 362 |
CHICK COREA PLAYING WITH MILES DAVIS IN COPENHAGEN 1969 "BITCHES BREW".
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| 01:06:23 383 |
CLIPS OF CHICK INTERSPERSED WITH ARCHIVAL CLIPS DEMONSTRATING MODULES AND ELECTRIC PIANO
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| 01:07:12 432 |
ALBUM COVER FOR BITCHES BREW.
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| 01:07:29 449 |
PAUL BUCKMASTER ELECTRIC CELLIST PLAYING AND SHOWING THE EFFECTS TALKS ABOUT HEARING BITCHES BREW FOR THE FIRST TIME INTERSPERSED WITH IMAGES OF THE ALBUM
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| 01:08:25 505 |
STANLEY CROUCH TALKS ABOUT LISTENING TO BITCHES BREW WHEN IT FIRST CAME OUT, INTERCUT WITH IMAGES FROM ALBUM AND CLIPS FROM COPENHAGEN, MILES DAVIS ON STAGE
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| 01:09:44 584 |
CARLOS SANTANA TALKS ABOUT THE COURAGE IN RADICAL DEPARTURE IN MUSIC, INTERSPERSED WITH MORE CLIPS OF MILES DAVIS IN COPENHAGEN. SANTANA SAYS THAT MILES DAVIS WAS NOT AN ENTERTAINER BUT A SERIOUS ARTIST.
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| 01:10:41 642 |
CLIPS OF MILES DAVIS PERFORMING, 1970s
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| 01:11:18 678 |
MILES DAVIS SITTING ON COUCH SKETCHING. TALKS ABOUT HAVING TO CHANGE HIS WAY TO "GIVE IT TO YOU" SAYS "IT'S NOT THAT I'M A GENIUS...."
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| 01:11:35 696 |
STILLS OF MILES DAVIS WITH VOICEOVER BY CARLOS SANTANA ABOUT THE CHANGES IN MILES'S WARDROBE. CARLOS SANTANA TALKS TO CAMERA ABOUT HOW HE NEEDED TO CHANGE HIS LOOK IN ORDER TO PLAY BIGGER VENUES FOR A WIDER AUDIENCE
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| 01:12:13 733 |
BETTY DAVIS ALBUM COVERS: NASTY GIRL, THEY SAY I'M DIFFERENT. IN 1968 MILES DAVID MARRIED HIS GIRLFRIEND THE COMPOSER AND SINGER BETTY MABRY WHO BECAME BETTY DAVIS. THE MARRIAGE ONLY LASTED ONE YEAR
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| 01:12:37 758 |
HERBIE HANCOCK TALKS ABOUT MILES DAVIS MARRIAGE, VIEWS OF HER ALBUM COVERS
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| 01:12:55 776 |
CARLOS SANTANA COMPARES BETTY DAVIS TO MADONNA, TALKS ABOUT WHAT A WILD AND STRONG WOMAN SHE WAS. STILLS OF BETTY DAVIS, MILES & BETTY. SAYS EVERYTHING CHANGED BECAUSE OF THE MARRIAGE, AND HE WAS HAPPY THAT IT DID
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| 01:13:52 833 |
JIMI HENDRIX & BAND OF GYPSIES AT THE FILLMORE EAST IN 1970
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| 01:14:09 849 |
HERBIE HANCOCK TALKS ABOUT BETTY INTRODUCING MILES TO JIMI HENDRIX, MUSICAL INFLUENCES
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| 01:14:41 881 |
MILES DAVIS & BAND PERFORMING 1970s
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| 01:15:14 914 |
SANTANA PERFORMING IN 1969
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| 01:15:26 926 |
CARLOS SANTANA TALKS ABOUT MILES DAVIS SETTING THE TRENDS
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| 01:15:37 937 |
ALBUM COVER MILES DAVIS TRIBUTE TO JACK JOHNSON
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| 01:15:47 947 |
SCENES FROM "JACK JOHNSON" A DOCUMENTARY FILM, B&W FOOTAGE OF BOXING RING BLACK BOXER TRAINING, MILES DAVIS'S MUSIC, BOXERS BOXING, STILLS OF MILES DAVIS IN BOXING ATTIRE. VOICEOVER MILES TALKING ABOUT HIS TRAINER
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| 01:16:55 1015 |
ARCHIVAL FOOTAGE OF MILES DAVIS PERFORMING IN TOKYO JAPAN IN 1973
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| 01:17:19 1039 |
DAVE LIEBMAN PERFORMS IN 2003, TALKS ABOUT A CONNECTION BETWEEN BOXING AND MILES DAVIS'S MUSICAL STYLE, MIXED IN WITH STILLS AND FOOTAGE OF MILES PLAYING, MONTAGE OF MUSIC AND BOXING
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| 01:18:29 1109 |
CARLOS SANTANA TALKS ABOUT THE BOXING/JAZZ CONNECTION, MONTAGE CONTINUES. VOICEOVER OF MILES TALKING ABOUT THE JAZZ/BOXING SIMILARITIES
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| 01:18:55 1135 |
CARLOS SANTANA WITH GUITAR , PLAYS "IN A SILENT WAY" FOR A FEW BARS. TALKS ABOUT HOW SOOTHING IT IS AND WHAT A CONTRAST IT WAS TO THE SOCIAL UNREST OF THE SIXTIES. TALKS ABOUT HOW THE "CRAZINESS" OF THE TIME STARTED TO AFFECT THE MUSIC. MUSIC AND SOCIETY
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| 01:20:26 1227 |
ARCHIVAL FOOTAGE OF MILES DAVIS PERFORMING IN 1971 MIXED WITH INTERVIEW OF MILES TALKING ABOUT HIS EVOLVING MUSICAL STYLE
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| 01:21:33 1294 |
ARCHIVAL CLIP CONTINUES WITH JAMES MTUME ON DRUMS
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| 01:21:34 1295 |
JAMES MTUME TALKS ABOUT LISTENING TO THE MUSIC AGAIN, MILES BURNING OUT
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| 01:21:49 1310 |
STILL NEWSPAPER CLIPPING OF ARTICLE BY STANLEY CROUCH
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| 01:21:57 1318 |
ARCHIVAL FOOTAGE OF MILES PERFORMING, WORDS ON SCREEN CALL HIM THE "MOST BRILLIANT SELLOUT IN THE HISTORY OF JAZZ"
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| 01:22:06 1326 |
JAMES MTUME TALKS ABOUT HOW MILES STARTED GETTING CRITICIZED. MIXED WITH ARCHIVAL CLIPS AND UNFLATTERING REVIEWS. JAMES MTUME STATES THAT MILES DAVIS HAD STOPPED PLAYING "JAZZ"
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| 01:22:43 1364 |
PETE COSEY TALKS TO CAMERA ABOUT THE HISTORY AND MEANING OF JAZZ, MIXED WITH ARCHIVAL B&W FOOTAGE OF PIANIST. DISCUSSIONS OF ITS USE IN WHOREHOUSES IN NEW ORLEANS.
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| 01:23:16 1396 |
ARCHIVAL FOOTAGE OF PETE COSEY PLAYING WITH MILES IN 1973. VOICEOVER BY MILES TALKING ABOUT MUSIC CHANGING YOU
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| 01:23:39 1420 |
JAMES MTUME TALKS ABOUT PLAYING FOR ROWDY CROWDS, INTERSPERSED WITH ARCHIVAL FOOTAGE OF MILES AND BAND PLAYING.
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| 01:24:32 1472 |
PETE COSEY PLAYING ELECTRIC GUITAR. TALKS ABOUT THE EFFECTS OF TECHNOLOGY ON MUSIC. PLAYS SOME MORE
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| 01:25:16 1516 |
JAMES MTUME TALKS ABOUT HOW JAZZ STOPPED DEVELOPING WHEN ELECTRONICS WERE NOT INCLUDED
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| 01:25:38 1538 |
STILL CARTOON ABOUT "UNPLUGGED" JAZZ
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| 01:25:45 1545 |
PAUL BUCKMASTER TALKS ABOUT INCLUDING ELECTRIC INSTRUMENTS, ELECTRIC TRUMPET, ALBUM COVERS OF JACK JOHNSON, LIVE EVIL. STILL OF MILES. 3D EFFECT STILL OF "ON THE CORNER" "BIG FUN"
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| 01:26:36 1596 |
CARLOS SANTANA COMPARES ELECTRICITY IN MUSIC AND DEFIBRILLATION. MIXED IN ARCHIVAL CLIPS OF SANTANA IN CONCERT. TALKS ABOUT ELECTRIC INSTRUMENTS
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| 01:27:23 1643 |
ARCHIVAL FOOTAGE OF MILES DAVIS IN CONCERT
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| 01:27:41 1661 |
CU FINGERS ON KEYS OF ELECTRIC KEYBOARD. BOB BELDEN SONY PRODUCER TALKS ABOUT THE INFLUENCE OF ELECTRONICS ON MUSIC. TALKS ABOUT "BITCHES BREW" AND ITS SUCCESS. ALBUM COVER OF BITCHES BREW
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| 01:28:36 1716 |
AERIAL ISLE OF WIGHT FESTIVAL CONCERT GROUNDS. ADVERTISEMENTS SUPERIMPOSED OVER VARIOUS PERFORMANCES. CLIPS OF HIPPIES DANCING
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| 01:28:58 1738 |
CARLOS SANTANA TALKS ABOUT CONSCIOUSNESS AND REVOLUTION AT ISLE OF WIGHT FESTIVAL.
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| 01:29:27 1767 |
MOVIE OF ISLE OF WIGHT. FILMMAKER INTERVIEWING HIPPIES. CONCERT CROWDS. JONI MITCHELL'S "WOODSTOCK" PLAYS OVER FOOTAGE. RIKKI FARR WALKING WITH JONI MITCHELL SHAKES HANDS WITH MILES DAVIS
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| 01:30:00 1800 |
JONI MITCHELL IN 2003 TALKS ABOUT JUST SAYING HI TO MILES, SAID HE DIDN'T KNOW WHAT TO DO WITH A WOMAN EXCEPT "DRAG HER INTO HIS LAIR". FOOTAGE OF HER PERFORMING IN 1970. MODERN DAY INTERVIEW TALKS ABOUT FOLK AND JAZZ MUSIC AND THE ROLE OF ELECTRONICS
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| 01:30:47 1848 |
FOOTAGE FORM ISLE OF WIGHT 1970. CROWD IS GETTING ROWDY AND JONI MITCHELL TRIES TO CALM THEM DOWN, ASKS FOR RESPECT AND AUDIENCE APPLAUDS
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| 01:31:14 1874 |
INTERVIEW JONI MITCHELL TALKS ABOUT PULLING MUSIC FROM THE CORE AND THAT MILES WAS ADVERNTURESOME
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| 01:31:34 1895 |
FOOTAGE OF MILES DAVIS ONSTAGE AT 1970 ISLE OF WIGHT FESTIVAL
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| 01:31:52 1913 |
GARY BARTZ IN 2003 PLAYS A FEW BARS. TALKS ABOUT HOW EVERYONE WANTED TO PLAY WITH MILES. MIXED IN ARCHIVAL FOOTAGE FROM 1970 OF HIM PLAYING WITH THE BAND. TALKING ABOUT GOING ELECTRIC, AND MILES DAVIS'S EVOLUTION
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| 01:33:36 2016 |
CHICK COREA IN 2003 PLAYING ELECTRIC PIANO. TALKS ABOUT PLAYING IMPROVISATION AND HOW MILES SET THE MOOD.
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| 01:34:08 2048 |
FISHEYE LENS CLIPS OF THE BAND PLAYING ISLE OF WIGHT 1970
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| 01:34:24 2064 |
DAVE HOLLAND IN 2003 TALKS ABOUT PLAYING SUCH A HUGE VENUE. WHAT MILES WAS DOING, THE EVOLUTION OF HIS STYLE AND ALL OF MUSIC AT THE TIME. INTERSPERSED WITH CLIPS OF THE BAND PLAYING AT THE ISLE OF WIGHT IN 1970
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| 01:35:57 2158 |
JACK DE JOHNETTE PLAYS DRUMS IN MODERN DAY (2003). TALKS ABOUT MILES DAVIS'S MUSIC CROSSING OVER AT THAT POINT AND HOW INFLUENTIAL HE WAS TO THE OTHER ACTS THERE AT ISLE OF WIGHT. INTERSPERSED WITH CLIPS FROM ISLE OF WIGHT 1970. TALKS ABOUT THE ROLE OF THE DRUMS
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| 01:37:19 2239 |
AIRTO MOREIRA PLAYS THE QUICA AND TALKS ABOUT IT
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| 01:38:02 2282 |
AERIAL FOOTAGE OF ISLE OF WIGHT. AUDIENCE WAVING. TINY TIM ON STAGE PERFORMING "THERE WILL ALWAYS BE AN ENGLAND"
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| 01:38:34 2314 |
MILES DAVIS AT ISLE OF WIGHT GETTING READY TO GO ON. MOREIRA TALKS ABOUT PLAYING. FOOTAGE OF THE SET FROM 1970
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| 01:39:06 2346 |
KEITH JARRETT SPEAKS IN 2003 INTERSPERSED WITH FOOTAGE FROM THE SET. TALKS ABOUT PLAYING BEING LIKE A TRANCE. TALKS ABOUT MILES GETTING HIM TO PLAY THE ELECTRIC PIANO. TALKS ABOUT THE ENERGY OF MUSIC AND HOW HE CAN LISTEN TO MILES DAVIS'S MUSIC OVER AND OVER AGAIN, AND HOW THE BAND WORKS TOGETHER, SPIRIT OF SPONTENEITY, MILES'S SET INCLUDING ALL OF MUSIC
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| 01:42:46 2567 |
FOOTAGE OF ISLE OF WIGHT FESTIVAL CROWD CHEERING AND SETTLING IN TO LISTEN TO MILES'S SET. FOOTAGE OF MILES DAVIS AND BAND ON STAGE PLAYING. ***FULL SET OF MILES DAVIS AT ISLE OF WIGHT FESTIVAL 1970**** MILES SAID "CALL IT ANYTHING" IN REFERENCE TO A TITLE
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| 02:18:04 4684 |
CLAPPING FESTIVAL CROWD. CARLOS IN SANTANA IN 2003 TALKS ABOUT THE PERFORMANCE BEING A HUGE SUCCESS AND REACHING A LOT OF PEOPLE. CALLS ILSE OF WIGHT A "MASTERPIECE". CHEERING HIPPIE FESTIVAL CROWD
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| 02:18:27 4707 |
MILES LEAVES STAGE. FILMMAKER ASKS ABOUT A "TRIBUTE TO MILES"
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| 02:18:34 4714 |
JONI MITCHELL TALKS ABOUT PAINTING A PORTRAIT OF MILES DAVIS AFTER HE DIED
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| 02:19:12 4752 |
CARLOS SANTANA SAYS HE WROTE "SKETCHES OF SPAIN" PLAYS GUITAR, TALKS ABOUT MILES TAKING YOU ON "A JOURNEY"
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| 02:20:06 4806 |
AIRTO MOREIRA SURROUNDED BY VARIOUS ETHNIC INSTRUMENTS. STARTS A TRIBUTE BY BEATBOXING AND SCATTING ADDS IN INSTRUMENTS, SHAKING MARACA. IMITATING TRUMPET SOUND. ONE MAN BAND TYPE EFFECT. TAMBOURINE
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| 02:22:18 4938 |
HERBIE HANCOCK SITS AT ELECTRIC PIANO AND THINKS ABOUT IT FOR A MOMENT. PLAYS AN IMPROVISED TUNE, PATCHWORK OF MILES DAVIS'S STYLE
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| 02:24:37 5077 |
CREDITS ROLL OVER HANCOCK PLAYING. SAYS AFTER CREDITS THAT HE COULDN'T PICK A PIECE
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| 02:26:33 5193 |
END
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