1929MUSICAL FEATURES
CHORUS GIRL REJECTS HER BOYFRIEND FOR THE SAKE OF STARDOM. TYPICAL "SHOW-MUST-GO-ON" MUSICAL.
WITH MARY EATON, EDWARD CRANDALL, DAN HEALY, KAYNE RENARD, GLORIA SHEA, SARAH EDWARDS, IRVING BERLIN, CHARLES B. DILLINGHAM, FLORENZ ZIEGFELD, JOHNNY WEISSMULLER, DESHA DELTEIL, BULL MONTANA
WITH MARY EATON, EDWARD CRANDALL, DAN HEALY, KAYNE RENARD, GLORIA SHEA, SARAH EDWARDS, IRVING BERLIN, CHARLES B. DILLINGHAM, FLORENZ ZIEGFELD, JOHNNY WEISSMULLER, DESHA DELTEIL, BULL MONTANA
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| 01:00:00 0 |
GHOSTLY WHITE FIGURES WALK ACROSS MAP OF USA
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| 01:00:34 34.3 |
SUPERIMPOSED OVER MAP, FEMALE SECRETARY AT DESK GETS UP FADES INTO SHOWGIRL
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| 01:00:56 56.3 |
SHOWGIRL DISSOLVES INTO TRAIN LEAVING STATION &
PEOPLE WALKING AWAY FROM PLATFORM |
| 01:01:03 63.3 |
HOUSEWIFE OF THE 1920s WASHING DISHES SUPERIMPOSED OVER TRAIN, DISSOLVES BACK TO SHOWGIRL TRAIN ETC..
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| 01:02:07 127.3 |
SHOWGIRL STRUTS IMAGES SUPERIMPOSED SWIRLING CITYSCAPE, MAID IRONING, MANY PEOPLE WALKING
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| 01:03:18 198.3 |
CU SHEET MUSIC. NOTES & WORDS
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| 01:03:20 200.3 |
MARY EATON
NO FOOLIN
EXCERPT OF MARY EATON SINGING "NO FOOLIN".
BUSY MUSIC SHOP-STORE. LOTS OF PEOPLE WALKING HERE & THERE WOMAN EYES PIANO PLAYER |
| 01:03:54 234.3 |
MARY EATON
BABY FACE
CUSTOMER ASKS TO HEAR BABY FACE. EATON SINGS EXCERPT FROM "BABY FACE".
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| 01:04:54 294.3 |
OLDER WOMAN MOANS TO EATON HER FEET HURT. EATON OPENS PURSE GIVES HER MONEY. UNUSUAL AMOUNT OF PEOPLE WALKING IN & OUT.
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| 01:06:50 410.3 |
EXCITED YOUNG WOMAN RUNS OVER TO PIANO PLAYER & EATON ANNOUNCES OUTING & PICNIC. CU CARD WITH SPECIFICS CEDAR GROVE PARK
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| 01:07:00 420.3 |
AT PICNIC, BAND PLAYS. HUGE GROUP OF PEOPLE. EVERYONE SINGS WAVING COMPANY BANNERS. PIANO PLAYER & EATON SKIP AWAY, ANOTHER GIRL FOLLOWS.
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| 01:07:37 457.3 |
COUPLE IN CANOE ON LAKE. ROWING. ROMANTIC
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| 01:07:42 462.3 |
GIRL WATCHES FROM SHORE HOLDING ONTO TREE WISHING SHE WAS IN CANOE
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| 01:07:44 464.3 |
ON STAGE PRESIDENT OF COMPANY GIVES SPEECH. BAND IN FRONT OF STAGE. GROUP OF "BIG WIGS" SITS BEHIND PRESIDENT OF COMPANY. ANIMATED SPEECH "THE CUSTOMER IS ALWAYS RIGHT". "RIGHT OR WRONG, OUR COUNTRY NEEDS US". CLICHE
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| 01:10:05 605.3 |
EXCITED CROWD RILED UP FROM SPEECH WAVES COMPANY BANNERS, BAND IN FRONT SITS STILL. CONTRAST.
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| 01:10:08 608.3 |
COUPLE IN CANOE. ROMANTIC. SHE LEANS ON HIM AS HE ROWS. CLICHE: "IF IT COULD ONLY BE LIKE THIS ALWAYS".
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| 01:11:23 683.3 |
EATON PULLS OUT SMALL GUITAR PLAYS & SINGS FOR LOVE INTEREST. THEY KISS. INTERCUTS WISHFUL GIRL ON SHORE WATCHING.
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| 01:12:51 771.3 |
ANNOUNCER COMES FROM BEHIND BIG CURTAIN "LADIES AND GENTLEMEN"
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| 01:13:00 780.3 |
MAN ON SHORE HELPS CANOE INTO SHORE
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| 01:13:05 785.3 |
CURTAINS ON STAGE OPEN, ENTERTAINERS WOMAN IN FLUFFY SEE-THROUGH OUTFIT. SONG & DANCE COMEDY: "MOONING WITH THE ONE YOU LOVE"
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| 01:14:23 863.3 |
COUPLE SITS ON BENCH WRAPPED AROUND TREE HE HOLDS SMALL GUITAR. LISTENING TO COUPLE SINGING & DANCING.
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| 01:15:28 928.3 |
DANCING COUPLE BICKERS BEHIND STAGE
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| 01:15:49 949.3 |
CURTAINS OPEN, TUMBLING ROUTINE TALL LADDER AS PROP.
MAN SITS ON CHAIR HIGH UP ON LADDER IN BLACKFACE. LADDER SWINGS BACK & FORTH. FALLS |
| 01:16:58 1018.3 |
YOUNG GIRL & EATON'S LOVE INTEREST TALK HER INTO PERFORMING. PRACTICES DANCING ON GRASS PEOPLE GATHER AROUND HER. CLAPPING IN TIME
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| 01:17:43 1063.3 |
MAN CONVINCES HER SHE COULD BE FAMOUS. JEALOUS LOVER MAN SAYS "DON'T WORRY, ITS STRICTLY BUSINESS".
CLICHE. |
| 01:18:14 1094.3 |
MANS JEALOUS GIRLFRIEND THROWS HIS COAT OUT OF CAR.
DRIVES AWAY |
| 01:18:20 1100.3 |
MILLER SHOWS EATON SOME OF HIS DANCE STEPS. THEY DANCE TO EVERYONES DELIGHT
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| 01:19:29 1169.3 |
BACK AT WORK, PIANO PLAYER PLAYS WHILE YOUNG GIRL BOPS TO MUSIC. BOSS COMES, SHE RUNS BACK TO WORK.
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| 01:20:09 1209.3 |
BOSS ASKS PIANO PLAYER & GIRL WHERE EATON IS GETS TWO DIFFERENT ANSWERS. KNOWS SOMETHING IS UP. ANGRY BOSS.
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| 01:21:11 1271.3 |
COSTUMED EATON PUTS COINS IN TELEPHONE. MAKING TELEPHONE CALL. BUDDY ANSWERS IN SHEET MUSIC DEPARTMENT, BARBARA LISTENS IN WITH BUDDY ON PHONE LOOK OF DISAPPOINTMENT ON BOYFRIENDS FACE, SHES GOING ON THE ROAD.
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| 01:22:10 1330.3 |
SAD BOYFRIEND PLAYS SAD SONG, GIRL-BARBARA PLACES HAND ON HIS BACK.
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| 01:22:42 1362.3 |
CARS ARRIVING AT BUSY TRAIN STATION. EATON LOOKS AROUND FRANTIC BOYFRIEND HASN'T SHOWED UP TO SAY GOODBYE. THEY RUN FOR TRAIN ALMOST MISSING IT.
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| 01:23:27 1407.3 |
BOYFRIEND ARRIVES, RUNS THROUGH TRAIN STATION, LOOKS THROUGH GATE WITH BARBARA. EATON CRIES "OH BUDDY"
VERY SAD SHES LEAVING. TRAIN LEAVES SAD DEPARTURE |
| 01:24:22 1462.3 |
CU MAN WRITING RETURN ADDRESS ON PACKAGE KEEPS COMING BACK. MISSING HER AT VARIOUS ADDRESSES MANY ADDRESSES SCRATCHED OFF NEW ONES WRITTEN FADES TO BLACK
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| 01:24:43 1483.3 |
CU CUTTING ROPE OFF PACKAGE WOMAN FINALLY RECEIVES PACKAGE, OPENS JEWELRY BOX WITH LETTER, READS LETTER.
SEEN THROUGH MIRROR IN JEWELRY BOX. LOVE LETTER. NOSEY MOTHER READS LETTER USING MONOCLE. ARGUE OVER BUDDY VS MILLER |
| 01:26:25 1585.3 |
MOTHER CRIES, DAUGHTER RUBS HER CHIN SAYS SHES SORRY.
THEY HUG. LOVING MOMENT. CLICHES: "YOU ALWAYS WERE A GOOD GIRL", SORRY MA, I APPRECIATE EVERYTHING YOU'VE DONE FOR ME". |
| 01:27:23 1643.3 |
CLICHE: "THAT OLD DAME GETS IN MY HAIR"
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| 01:27:28 1648.3 |
CLOWN COMES ON STAGE RIDING TINY BICYCLE
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| 01:27:42 1662.3 |
DAN HEALY
WHEN YOU FORGET TO REMEMBER
DRESSING ROOM, EATON LOOKS AT LOVE LETTER, MILLER COMES IN SINGING "WHEN YOU FORGET TO REMEMBER"
FRIGHTENING HER. |
| 01:28:08 1688.3 |
MILLER KISSES HER, SHE HAS HORRIFIED LOOK ON FACE.
CLICHE: "I'LL MAKE YOU LIKE MY KISSES YOU LITTLE DEVIL". SLAPS HIM IN FACE. TELLS HIM TO GET OUT HE STORMS OUT. |
| 01:28:44 1724.3 |
MILLER WALKS OUT RUBBING FACE. SHOWGIRL WALKS BY PRACTICALLY NAKED, SEDUCES HER INTO OFFICE, TELLS HER HE WANTS HER TO TAKE EATON'S PLACE. MOTHER HEARS AT DOOR. INVITES HER TO HIS ROOM
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| 01:29:54 1794.3 |
SOFTLY GRABS HER HAND CLICHE "WHAT DO YOU SAY WE SEAL IT WITH A KISS?" THEY KISS
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| 01:30:07 1807.3 |
MOTHER GOES INSIDE EATONS DRESSING ROOM. SHE STRETCHING FOR PERFORMANCE. TELLS HER SHES BEING REPLACED
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| 01:30:56 1856.3 |
BEHIND STAGE CURTAIN EATON BEGS MILLER SAYING SHE WAS ONLY JOKING.
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| 01:31:05 1865.3 |
MILLER DRESSED AS CIRCUS TRAINER, EATON DANCES AROUND STAGE
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| 01:31:31 1891.3 |
TWO MEN WHISPERING IN AUDIENCE ABOUT MILLER & EATON
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| 01:32:06 1926.3 |
CU AUDIENCE CLAPPING
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| 01:32:08 1928.3 |
MILLER & EATON SING & DANCE. CARTWHEELS. SOMETHING ABOUT FEET ON THE GROUND. MEN IN AUDIENCE WHISPERING AGAIN
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| 01:34:03 2043.3 |
BACKSTAGE MOTHER TELLS MILLER SHE CAN HELP HE SAYS FORGET IT. MOTHER CRIES
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| 01:35:18 2118.3 |
ACTOR DRESSED LIKE SHERLOCK HOLMES TELLS MILLER ABOUT THE WHISPERING TWOSOME ONE IS STANLEY SHARP FROM ZIEGFELD. MILLER GETS BIG EGO THINKING ITS HIM THEY WANT
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| 01:35:58 2158.3 |
TWOSOME COMES BACK STAGE, SHARPE TELLS HIM HE WANTS HIS PARTNER. OTHERS LAUGH. WANTS TO MEET EATON. LIES & TELLS HIM SHES GONE
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| 01:36:45 2205.3 |
EATON & MOTHER CRY IN DRESS ROOM. MILLER COMES IN TRYING TO MAKE UP SO HE CAN GET IN WITH SHARPE. EATON
LITTLE CURIOUS WHY SUDDEN CHANGE. SHE TELLS HIM SHE WANTS 50/50. HE SAYS YES. WRITES UP CONTRACT |
| 01:41:01 2461.3 |
CU TELEGRAM. EATON-GLORIA TELLS BUDDY TO MEET HER IN NEW YORK.
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| 01:41:12 2472.3 |
CU TRACK 28 AT STATION. PORTERS BRING OUT BAGS. BUDDY AT FRONT OF ROPE LOOKING FOR EATON.
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| 01:41:40 2500.3 |
REUNION BETWEEN GLORIA & BUDDY HUGS KISSES
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| 01:42:10 2530.3 |
OLDER WOMAN STRUGGLES TO OPEN MONOCLE
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| 01:42:35 2555.3 |
COUPLE LEAVES BUSY TRAIN STATION BY CAR
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| 01:42:43 2563.3 |
BARBARA RUNS OUT SHOUTING TO BUDDY, GETS HIT BY CAR CROWD OF CONCERNED PEOPLE RUN TO HER. POLICEMEN PICK HER UP. MASS CONFUSION ENSUES.
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| 01:43:29 2609.3 |
POV DRIVING CAR THROUGH BUSY NEW YORK CITY STREETS
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| 01:43:57 2637.3 |
GLORIA TAKES OUT LITTLE MIRROR. PRIMPS HERSELF.
CLICHES: "YOU SEEM DIFFERENT", "DONT BE SILLY" |
| 01:44:23 2663.3 |
INJURED WOMAN TAKEN INTO AMBULANCE ON STRETCHER. TONS OF RUBBER NECKERS LOOK INTO CAR
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| 01:44:51 2691.3 |
POV PASSENGER SEAT OF CAR WEAVING THROUGH TRAFFIC IN NYC. MOTORCYCLE COP TROLLEYS
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| 01:45:21 2721.3 |
POV WEAVING IN & OUT OF TRAFFIC RIDING DOWN TROLLEY TRACKS
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| 01:45:28 2728.3 |
IN BACK OF CAB, BUDDY & GLORIA TALK ABOUT BARBARA AS AMBULANCE GOES BY THEY DONT KNOW SHES INSIDE
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| 01:45:49 2749.3 |
POV INSIDE BACK OF AMBULANCE AS IT PULLS UP TO EMERGENCY ROOM OPENS UP TAKE OUT STRETCHER
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