1890-1899HOLLYWOOD FILMMAKING
RELATES THE HISTORY OF MAN'S EFFORT TO PHOTOGRAPHY AND REPRODUCE LIVING MOVEMENT. INCLUDES THE FIRST SCIENTIFIC STUDY OF MOVEMENT, INVOLVING TWENTY FOUR CAMERAS STATIONED AT INTERVALS ALONG A HORSE'S PATH, THOMAS EDISON'S WORK, AND LUMIERE'S COMMERCIAL PROJECTOR FOR LARGE AUDIENCES. THE HISTORY OF THE MOVIE CAMERA. MAN BLOCKS HIS HANDS TO PICTURE LANDSCAPE. ASSISTANT WITH LOTS OF EQUIPMENT ON HIS BACK. EARLY PHOTOGRAPHERS RECREATION. POSING IN STUDIO. DON'T MOVE. MOVES WOMAN'S HAND A LITTLE BIT FOR EACH PICTURE. BIOSCOPE. MOTION UNDERSTOOD. DOCTOR CHECKS WOMAN. TAKING PULSE. PUTS WEIRD INSTRUMENT ON WOMAN'S ARM. MARKS PULSE BEAT. MAN ON HORSE WITH MACHINE TO MAKE GRAPH OF HORSE'S GAIT. EARLY MACHINE. CONTROVERSY SURROUNDING THE IDEA THAT HORSE RESTS ON ONLY ONE LEG DURING GALLOP. PHOTOGRAPHIC EXPERIMENTS. DIAGRAMS. SOARING BIRD RECREATIONS OF EARLY EXPERIMENTS. COVERING CAMERA LENS. SPINNING SHUTTER. MAN DRESSED IN ODD OUTFIT. HOW MAN MOVES WHEN HE WALKS. FIRST BICYCLES. WOMAN WINDS CAMERA. MAN TURNS CRANK. BACKSTAGE MAN TURNS DOWN LARGE SWITCH TO MAKE STAGE LIGHTS GO UP. EARLY EDISON MACHINES. WOMAN WITH HEADPHONES LISTENS TO RECORDING IN PENNY ARCADE. MUSCLE MAN. MACHINE RUNNING. STRIPS OF FILM. TURNING WHEELS. INDIANS DANCE. MOVIOLA. ACROBAT JUMPS AROUND. MAN BENDS WITH STICK. ANNIE OAKLEY SHOOTS RIFLE. CATS BOX. CROWDS OF WOMEN LEAVE FACTORY. LUMIERE FACTORY. MAN LOOKS AT STRIP OF FILM. LUMIERE CAMERA PROJECTOR. ON TRIPOD. FEEDING BABY AT BREAKFAST. LUMIERE AND WIFE. FRENCH RESTAURANT SHOWS FILMS. LOADING CAMERA. MODERN MIRACLE. LIGHTS GO OFF. SHOWING FILM TO AUDIENCE. PEOPLE AT TRAIN STATION. FRENCH CAVALRY. HORSE RACE. ZOETROPE.
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| 05:38:43 0 |
STILLS. CANNOT LICENSE.
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| 05:38:54 10.84 |
REENACTMENT OF EARLY (19TH CENTURY -- 1870) PHOTOGRAPHER AND ASSISTANT CARRYING EQUIPMENT WORKING OUTDOORS TO PHOTOGRAPH LANDSCAPE. PHOTOGRAPHER USING HANDS TO FRAME SHOT. PASTORAL SCENE OF RIVER AND TREES. COUNTRYSIDE. EQUIPMENT LAID OUT ON GROUND. COMPLICATED PORTABLE LABORATORY. BOXES, BOTTLES, JARS. PHOTOGRAPHER SHOOTING PICTURES USING OLD FASHIONED CAMERA ON TRIPOD.
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| 05:39:40 57.4 |
WOMAN IN LATE 19TH CENTURY DRESS POSES FOR PORTRAIT PHOTOGRAPH, SEWING OR EMBROIDERING. REENACTMENT OF PHOTOGRAPHER WITH LARGE VINTAGE CAMERA TAKING PICTURE. BREAKING MOVEMENT INTO STAGES FOR SUCCESSION OF PHOTOGRAPHS TO SUGGEST MOVEMENT. PHOTOGRAPHER MOVES MODEL'S ARM, POSING HER.
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| 05:40:09 85.7 |
REENACTMENT OF TURN-OF-THE TWENTIETH CENTURY PHOTOGRAPHER REMOVING CAP FROM LENS OF LARGE ANTIQUE CAMERA, THEN REPLACING IT, THEM MOVING THE ARM OF MODEL SEWING WITH EMBROIDERY HOOP, FRAME. CLOSE UP OF HIM REMOVING AND REPLACING HIM CAMERA LENS COVER AGAIN.
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| 05:40:30 107.02 |
IMAGE ZOOMS BACK FROM PHOTO OF MODEL SEWING TO REVEAL SUCCESSION OF PHOTOS IN STRIP TO SUGGEST A COMPLETE MOVEMENT OR ACTION.
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| 05:40:34 111.18 |
ILLUSTRATIONS OF EARLY DEVICES USED TO CREATE ILLUSION OF MOVING IMAGE: BIOSCOPE, KINEMATOSCOPE, PHASMATROPE. EARLY ATTEMPTS TO ANIMATE STILL PICTURES.
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| 05:40:43 119.67 |
EXTERIOR: LARGE STATUE, FRIEZE
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| 05:40:53 129.9 |
REENACTMENT OF DOCTOR WHO SPECIALIZES IN CIRCULATION OF BLOOD EXAMINING, TREATING PATIENT, OLDER WOMAN, IN HER BED BY CANDLELIGHT. CANDELABRA. CLOSE UP OF WATCH IN HAND. CU HAND ON WRIST OF DOCTOR TAKING PULSE OF PATIENT. CLOSE UP OF DOCTOR STRAPPING INSTRUMENT TO PATIENT'S WRIST AND ADJUSTING IT. EARLY DEVICE USED TO TAKE PULSE. EARLY MEDICAL EQUIPMENT, ADVANCES IN MEDICINE. NEEDLE CREATES LINE ON BOARD, GRAPH OF PATIENT'S PULSE.
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| 05:41:48 185.34 |
STILL. CANNOT LICENSE.
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| 05:41:56 193.07 |
REENACTMENT OF DOCTOR, SCIENTIST STUDYING MOTION, WEARING WHITE LAB COAT, WITH HORSE AND RIDER. EXPERIMENT. RIDER HOLDS DEVICE, AN ADAPTATION OF THE PULSE-TAKING INVENTION. FOUR NEEDLES ON A DRUM CREATING GRAPHS OF HORSE'S MOVEMENT. MOVING PARTS OF GIZMO. WIRES CONNECTED TO DEVICE AND HORSE'S LEGS. CLOSES UP HORSE'S HOOF WITH PAD ON IT USED TO RECORD MOVEMENT. RIDER, JOCKEY RIDING HORSE TO RECORD ITS GAIT. EADWEARD MUYBRIDGE.
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| 05:49:29 646.01 |
CLOSE UP OF STRIP OF FILM OF MUSCLE MAN, BODYBUILDER FLEXING. EARLIEST SILENT FILM. SPROCKET HOLES.
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| 05:49:38 654.96 |
STILLS. CANNOT LICENSE.
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| 05:49:44 661.41 |
REENACTMENT OF MAN PULLING SWITCHES, LEVERS TO LIGHT CITY STREET FOR THE FIRST TIME, THANKS TO THOMAS EDISON.
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| 05:49:54 671.21 |
STILLS. CANNOT LICENSE.
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| 05:50:00 677.28 |
ELDERLY THOMAS EDISON WITH WORKER. EDISON WRITING AT DESK, POSING OUTDOORS.
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| 05:57:11 1108 |
PEOPLE WATCH EARLY SILENT FILM, MOTION PICTURE PROJECTED ONTO SMALL SCREEN. EARLY MOVIE THEATER. FILM OF MARCHING SOLDIERS AND UNIFORMED OFFICERS ON HORSES.
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| 05:57:22 1119.28 |
EARLY SILENT FILM OF SOLDIERS MOUNTED ON HORSES, GALLOPING, HOLDING SPEARS, SWORDS, FLAGS. RUSSIAN? FILM OF MAN RIDING HORSE, JUMPING. HORSE RUNNING.
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| 05:57:51 1147.98 |
CLOSE UP OF ZOETROPE. MOVING IMAGE OF MAN RIDING HORSE. EARLY FILM-LIKE ANIMATED MOVING IMAGES. SIMILAR MOVING IMAGE OF CARTOONISH NATIVE AMERICAN INDIAN ON HORSE.
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