FJ-HRN-2408

In: 00.00.31 Out: 00.01.31
B-Roll – Hellboy II – wide of theater, shots of banner poster and theater entrance
A02. HRN-2408
In: 00.01.46 Out: 00.05.16
B-Roll – Hellboy II – more of theater banner and entrance, shots of poster, wide of red carpet, Lori Petty, fans standing at gate
A03. HRN-2408
In: 00.05.29 Out: 00.08.27
B-Roll – Hellboy II – Guillermo Del Toro on red carpet, cutaway, Del Toro interviewing, some girls posing for pictures, back of Tommy Lister’s head, panning across red carpet, Tommy Lister walking down red carpet (not the best shot), Lister signing an autograph and greeting Petty
A04. HRN-2408
In: 00.08.28 Out: 00.09.02
B-Roll – Hellboy II – co-producer bearded guy with glasses,
A05. HRN-2408
In: 00.09.06 Out: 00.09.28
Sound Bite: Co-Producer
Sense of humor and his take on things. I mean he’ll take something and twist it around, and I think that’s what worked on the first one and that’s what’s carried over onto this one. I mean this one is more of a spectacle than the first one as far as the amount of work in it and the size of this one, but it’s that sense of humor that really pulls it off I think.
A06. HRN-2408
In: 00.09.29 Out: 00.09.58
Sound Bite: Co-Producer
They are, they’re right out of his brain. I mean the guy has got these things inside there, and every once and awhile he gets to pull them out, and the you know, both the prosthetic work that Mike Elizalde did at Specro Motion and then what we pulled off at Deneg at London, really really, I’m very happy with the character work in the picture, both the synthetic and the practical work, and I think they do blend together really well.
A07. HRN-2408
In: 00.10.00 Out: 00.10.52
B-Roll – Hellboy II – bearded co-producer interviews, some blond girl, Mike Mingola interviewing,
A08. HRN-2408
In: 00.10.53 Out: 00.11.32
Sound Bite: Mike Mingola
Mostly I just try to stay out of his way. I mean with so much of our, I mean we co-wrote the original story together with this one, but it did feel like so much of my input was on the first picture translating, helping him translate the comic book onto the film. Now all that heavy lifting’s been done, so now it’s very much a continuation of what he created in the first picture. So I’m not no longer kind of doing that well, but the comic was this and the comic was that, we’re so clearly in his domain now on the second picture, um it made it a lot more fun now for me.
A09. HRN-2408
In: 00.11.35 Out: 00.11.58
Sound Bite: Mike Mingola
Well it certainly, in a lot of ways it’s a lot odder. Uh I mean he is the good guy who I think is a very sincere almost childlike good guy who also happens to be the beast of the apocalypse. It kind of makes Tony Stark’s problems and Bruce Banner’s problems kind of uh small by comparison.
A10. HRN-2408
In: 00.12.00 Out: 00.14.35
B-Roll – Hellboy II – Seth MacFarlane , Jon Favreau interviewing, wide of press line and people interviewing, fashion shot of Daisy Fuentes, fashion shot of Anna Walton, Walton interviewing, another fashion shot of her, Del Toro taking a photograph with some other people
A11. HRN-2408
In: 00.14.40 Out: 00.15.15
Sound Bite: Jon Favreau
I, you know, I, what separated our film is was it was a new hero that had never been done before. It was a tech based hero, which gave us a lot of room to sort of play in that Transformers style of special effects and visual effects, you know we had the great late Stan Winston working on suit designs with us, and then we had Robert Downey Jr., so the film had a lot of personality and it felt that even in the summer crowded with a lot of superhero films it had its own, it sort of marched to its own drummer.
A12. HRN-2408
In: 00.15.15 Out: 00.15.51
Sound Bite: Jon Favreau
Hellboy II is uh, I’ve been looking forward to this for a long time. I’m a big Guillermo del Toro fan and it’s nice to see him returning the genre, which uh where he cut his teeth, sort of the horror, superhero, fanboy movies, and uh you know when I got invited to this I was uh, I don’t even know if I was invited, I had a meeting with Universal, I was like I didn’t get my ticket yet. Do you wanna go? Of course! I’m like yeah I wanna go, because I get to see it a week early. So I have to check it out to see if my 7 year old can see it, because he wanted to come today and it might be a little scary for him, we’ll see, the jury’s still out.
A13. HRN-2408
In: 00.15.53 Out: 00.16.09
B-Roll – Hellboy II – Luke Goss, fashion shot of Anna Walton
A14. HRN-2408
In: 00.16.13 Out: 00.16.42
Sound Bite: Anna Walton
It was a very pleasant experience. No he’s a wonderful man, and many many respects. He’s very obviously incredibly talented, um and uh he’s just a very nice man to work with. It’s very inspiring, he’s incredibly hard working, so ? I’d come on to set and I’d look at him and think, God I can’t complain, I don’t know how he slept, I don’t think he did sleep.
A15. HRN-2408
In: 00.16.42 Out: 00.17.05
Sound Bite: Anna Walton
Um mine was fine, you know I think compared to a lot of other people in the film I got off very lightly. It still took about 4 hours but it was really only paint and a wig and some contact lenses, whereas obviously for Ron and for Doug it was um having full prosthetics on so I think I escaped quite lightly
A16. HRN-2408
In: 00.17.06 Out: 00.17.38
Sound Bite: Anna Walton
Oh well I think it’s, I think it’s an exception and I just think it’s genre bending in a way because you can’t really pigeon hole it, it is an action film but it’s also character lead and you know you care about the characters and it’s sensitive and there’s all this big stuff going on, but there’s also subtle very sensitive stuff going on underneath, um which is I think unusual really.
A17. HRN-2408
In: 00.17.42 Out: 00.18.38
B-Roll – Hellboy II – wide of red carpet, Selma Blair interviewing, shot of Selma’s handbag
A18. HRN-2408
In: 00.18.47 Out: 00.19.18
Sound Bite: Selma Blair **RC Round Up bite in here
Oh God, you know I think Hellboy’s, to have a director like Guillermo directing a comic movie is sets it so far above these other types of movies, and Hellboy is such a sexy beast, um with such an amazing sense of humor, it’s just like any, to have Mike Mingola’s vision and Guillermo’s vision together, that’s 2 powerhouses, I don’t know. That’s just, that’s all you need to say.
A19. HRN-2408
In: 00.19.18 Out: 00.19.47
Sound Bite: Selma Blair
You know I didn’t work with any of them, so when I see them it’s just when you guys are seeing them. I barely worked with them, I think they’re amazing for Guillermo to give that to the fans and for people to really create them just proves what an amazing amazing imagination he has and how he just his labor of love, I mean that’s not easy it could done on a computer but he actually wants to see them that it is such joy to him, it’s thrilling.
A20. HRN-2408
In: 00.19.57 Out: 00.20.37
Sound Bite: Guillermo del Toro
Well we were into, we were writing it about a month after the first movie opened, and it took about 4 years to get it made. We, I delivered it after Pan’s Labyrinth, I gave the screenplay in post of Pan’s Labyrinth, and very quickly over a year we went through every studio in town, they all fiddled with it, but they wanted changes, they wanted this and they wanted that, and we didn’t want to do changes to the script we had, and then we finally landed on Universal and they were the first studio to take the first Hellboy, and they were the last studio to take the second one.
A21. HRN-2408
In: 00.20.47 Out: 00.21.52
Sound Bite: Guillermo del Toro
The Hobbit. I’m on a steady Hobbit diet for 4 years. I will I will have the Hobbit for breakfast, lunch, and dinner. (talks) Yeah, a lot of hair on their feet but they (talks) No I’m into that world for the next few years, and what I’m doing right now is because the Hobbit came out unexpectedly, I’m spending the next of this year, the remainder of this year putting to bed everything that was going on in my life professionally because once the Hobbit kicks in, there’s no room for any distractions. And I’d rather do the Hobbitses, because it’s 2 movies at the same time. (talks) It’s 2 of them at the same time. (talks) yeah, back to back. (talks) The last one is 2012 I think. (talks) So I will have my first uh colonoscopy by that time, I’m 43. It’s all in perspective.
A22. HRN-2408
In: 00.22.29 Out: 00.24.36
B-Roll – Hellboy II – del Toro interviewing in Espanol
A23. HRN-2408
In: 00.23.42 Out: 00.24.12
Sound Bite: Guillermo del Toro
Oh because it’s completely different. I think that no other movie in the comic book universe uh deals with uh an imaginary world like we do in terms of uh sort of ? creation of creatures and worlds and entities and magic. The rest are basically doing uh sort of more urban reality. We are basically creating fantastic worlds.
A24. HRN-2408
In: 00.24.11 Out: 00.24.26
Sound Bite: Guillermo del Toro
Oh it’s easy for me. I enjoy it, I have the best collaborators in Spectro Motion and Wayne Barlowe and Mike Mingola and the rest of the gang and it’s like we’re just a summer camp for very strange people.
A25. HRN-2408
In: 00.24.29 Out: 00.24.37
B-Roll – Hellboy II – Ron Pearlman walking down red carpet